Bibliography

Poetry

Saborami. Cullompton, United Kingdom: Beau Geste Press, 1973.

Siete Poemas. Bogotá, Colombia: Ediciones Centro Colombo Americano, 1979.

Precario/Precarious. New York, NY: Tanam Press, 1983.

Luxumei o El Traspié de la Doctrina. Mexico City, Mexico: Los Libros del Fakir #33, Editorial Oasis, 1983.

PALABRARmas. Buenos Aires, Argentina: Ediciones El Imaginero, 1984.

Samara. Valle del Cauca, Colombia: Ediciones Embalaje del Museo Rayo, 1986.

La Wik’uña. Santiago, Chile: Francisco Zegers Editor, 1990.

Unravelling Words & the Weaving of Water. Minneapolis, MN: Graywolf Press, 1992.

PALABRARmas/ WURWAPPINschaw. Edinburgh, Scotland: Morning Star Publications, 1994.

La realidad es una línea. Kortrijk, Belgium: Kanaal Art Foundation, 1994.

Word & Thread. Edinburgh, Scotland: Morning Star Publications, 1996.

The Precarious: The Art & Poetry of Cecilia Vicuña / QUIPOem. Middletown, CT: Wesleyan University Press, 1997.

cloud-net. New York, NY: Art in General, 1999.

El Templo. New York, NY: Situations, 2001.

Instan. Berkeley, CA: Kelsey St. Press, 2002.

i tu. Buenos Aires, Argentina. Tsé-Tsé, 2004.

Palabrarmas. Santiago, Chile: RIL Editores, 2005.

Sabor A Mí. Santiago, Chile: Ediciones Universidad Diego Portales, 2007.

V. Lima, Peru: tRope, 2009.

Soy Yos: Antología, 1966-2006. Santiago, Chile: Lom Ediciones, 2011.

Saborami. Philadelphia, PA: ChainLinks, 2011.

Chanccani Quipu. New York, NY: Granary Books, 2012.

Spit Temple. Brooklyn, NY: Ugly Duckling Press, 2012.

 

Edited Volumes

Martin Adan, The Cardboard House. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature), 1988.

Rosario Castellanos, The Selected Poems of Rosario Castellanos. Minneapolis, MN: Graywolf Press, 1988.

Adolfo Bioy Casares, A Plan for Escape. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature), 1988.

Vicente Huidobro, Altazor. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature), 1988.

Ül: Four Mapuche Poets. Pittsburgh, PA: Latin American Review Press, 1998.

The Oxford Book of Latin American Poetry. New York, NY: Oxford University Press, 2009.

 

Selected Interviews 

 “The Vicuña and the Leopard: Chilean Artist Cecilia Vicuña Talks to Lucy Lippard.” By Lucy Lippard. Red Bass / Women’s International Arts Issue 10 (1986) 16-18

“What Art May Be.” By Craigie Horsfield. Chain 9 (2002): 112-24.

“The Memory of the Fingers.” By David Levi Strauss, in cloud-net. New York, NY: Art in General, 199 

“Metaphor Spun: A Conversation with Cecilia Vicuña.” By Billie Jean Isbell and Regina Harrison, in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 47-58.

“Seeing and Gathering.” By Susan Briante. Last modified May 20, 2004, last accessed June 30, 2012. Texas Observer. http://www.texasobserver.org/archives/item/14264-1660-seeing-and-gathering-

 

Selected Criticism 

Barnitz, Jacqueline. Twentieth-Century Art of Latin America, University of Texas Press (2001).

Bianchi, Soledad. “Pasaron desde aquel ayer ya tantos años, o acerca de Cecilia Vicuña y la Tribu No.” Hispamerica: Revista de Literatura 17 (1988): 87-94.

Brown, Julie Phillips. “‘touch in transit’: Manifestation/Manifestación in Cecilia Vicuña's cloud-net.” Contemporary Women's Writing 5, no.  (2011): 208-31.

Lippard Lucy. “Spinning the Common Thread,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 7-15.

Lynd, Juliet. “Precarious Resistance: Weaving Opposition in the Poetry of Cecilia Vicuña.” PMLA 120.5 (2005): 1588-1607.

Méndez-Ramírez, Hugo. “Cryptic Weaving,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 59-71.

Nómez, N. “La poesía chilena: Representaciones de Terror y Fragmentación del Sujeto en los Primeros Años de Dictadura.” Acta Literaria 36 (2008): 87-101.

Osman, Jena. “Is Poetry the News?: The Poethics of the Found Text.” Jacket 32 (2007).

Sepúlveda, Magda. “Cecilia Vicuña: La Subjetividad Poética como una Operación Contracanónica.” Revista Chilena de Literatura 57 (2000): 111-26.

Sherwood, Kenneth. “Elaborate Versionings: Characteristics of Emergent Performance in Three Print/Oral/Aural Poets.” Oral Tradition 21 (2006): 119-47.

—. “Sound Written and Sound Breathing: Versions of Palpable Poetics,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 73-93.

Toledo, Eugenia. “Tejer y Destejer en Cecilia Vicuña.” ALPHA: Revista de Artes, Letras y Filosofia 11 (1995): 51-62.

Ugalde, Sharon Keefe. “Hilos y Palabras: Diseños de una Ginotradición (Rosario Castellanos, Pat Mora y Cecilia Vicuña).” Salina: Revista de Lletres 16 (2002): 219-26.

Weinberger, Eliot. “Basuritas / Little Litter.” Poliester 3 (1992).

Witzling, Mara R.  “Cecilia Vicuña,” in Voicing Today’s Visions: Writings by Contemporary Women Artists. New York, NY: Universe Publishing, 1994.

de Zegher M. Catherine. “Ouvrage: Knot a Not, Notes as Knots,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 17-46.